Scholars as Students: Outcomes from Doing Digital History 2014

During the summer of 2014, Sharon Leon and Sheila Brennan, joined by a team of graduate assistants and expert scholars, oversaw one of the Roy Rosenzweig Center for History and New Media’s most recent efforts to offer professional development for mid-career scholars: the Doing Digital History (DoingDH) summer institute.

Funded by the National Endowment for the Humanities, Office of Digital Humanities, the institute offered 23 American Historians an opportunity to undertake a two-week immersion in the theories and methods of digital history. The results of the institute were impressive, with participants increasing their technical skills, their digital literacy, and their comfort with evaluating digital work:

doingdh-eval

As a follow-up to the face-to-face institute experience, we are now publishing a whitepaper that lays out the pedagogical approach to DoingDH, evaluates the experience, and includes the detailed curriculum employed during the institute: Scholars as Students: Introductory Digital History Training for Mid-Career Historians (PDF).

This work builds upon over a decade of innovation and experimentation with professional development at RRCHNM. Just as our workshop sessions at disciplinary conferences, bootcamp sessions at THATCamp unconferences, and a range of longer training experiences have been designed to offer replicable models, we hope that DoingDH will be a jumping-off point for those working to build the digital capacities of our communities of practice. We invite you to review the work and outcomes of the institute and consider the ways that you might put these materials to good use in creating training opportunities for mid-career faculty, curators, librarians, archivists, and staff in your own institutions.

Finally, based on the success and lessons learned in the 2014 DoingDH institute, RRCHNM is offering another DoingDH institute in the summer of 2016, again with the generous support of NEH-ODH.  Soon, we will post a form for anyone interested in being notified when applications open for the 2016 institute. We will announce it on the RRCHNM blog and tweet it from @chnm.

DoingDH Tweets, Week Two

During two weeks of learning at the Doing Digital History institute, sponsored by NEH-ODH, hosted by RRCHNM and GMU, our participants put their Twittering skills to use, tweeting under the hashtag #doingdh14. In order to capture those conversations, we’ve used Storify to collect and present the tweets.

The archive represents only those tweets hand-chosen (due to the Storify interface) by Spencer or Celeste as they scanned the hashtag for each new, unique tweet. Generally, only tweets using the hashtag were collected.

The Storify for Week 1 can be found here.

For those interested in visualizing the content of our twitter conversations, here are two PDFs of the archive, one for Week 1 and another for Week 2.

[iframe src=”//storify.com/robertss87/doing-digital-history-2014-2/embed?header=false&border=false” width=”100%” height=750 frameborder=no allowtransparency=true][View the story “Doing Digital History 2014, #2” on Storify]

Three Immediate Steps

As we conclude the institute, we have been asked to identify three things that we will do in the near future to put some of what we learned here to work.  I have a number of ideas, but the following are actions that I am pretty certain I can take in the next two semesters.

1. My department will be engaging in a curriculum revision this year.  I’m on the committee directing this process. I will push for the inclusion of a digital competency objective in the new curriculum documents and for a digital history course.  My department will probably not accept the first item, but most likely it will accept the second.  I will work with the director of our public history program and our library’s new digital initiatives person to begin developing the course.

2. I will pursue the project I outlined in my blog yesterday.  Several colleagues and I have been talking with a local community group about helping to organize and present a collection of oral histories, text records, and images related to the African American community in Haywood Co., NC. We will incorporate this work into several undergraduate courses over the next few semesters, with the goal of creating a digital archive of these materials for inclusion in my university’s existing Appalachian heritage site.

3. I will migrate my courses for the spring away from Blackboard to a site under my own control (a reconstructed version of this one, most likely).  Take that, Blackboard!

Source: Three Immediate Steps

Coding exercise

I’d like to introduce my students to coding–not because I’ll expect them to build something from scratch (unless they want to) but basically to demystify how pages are constructed and structured. I could imagine an activity in which they go through the CSS and HTML lesson on Codeacademy as a weekend assignment. During the next class period we would then discuss their experience; perhaps we could also have a web services staff member on hand and then, using Firebug, look at the coding of digital history sites (again to explain and demystify).

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Digital Options for History 319: The Rise of Modern America

In the fall, I am teaching two courses. One, a public history practicum course, will include significant play with digital tools. I have a clear vision of what I want the class to accomplish, which digital tools might be helpful, and how I can integrate both teaching and experimentation into the course.

I have found it much more difficult, in my nine years as a professor, to integrate digital methods and projects into my more traditional courses. I’ve spent some time these past two weeks thinking about just that. I think the key issues are class size (45 students), class composition (this is a mid-level course that fulfills general education requirements, so not all students are history majors), and learning objectives.

For my first foray into this realm, I am going make two changes to existing class assignments, currently listed on the syllabus as “in-class group work” and “final presentation.”

In the past, I have developed a series of in-class group assignments designed to teach students to read secondary sources more critically and to use scholarship to interpret primary sources. Despite the fact that students know exactly what I will ask them to do in class, they are rarely prepared. I am going to adapt this assignment as a way to help students read together and begin to address core questions BEFORE class.

In addition, I always assign a final presentation so that students have an opportunity to draw some conclusions about what the class was “about” in a big picture way. While I have always encouraged students to think creatively about this, I am going to devote some class time to introducing simple technologies they can use to design more interactive and interesting presentations.

I still feel a bit tentative about this, which is why I am reluctant to post an actual syllabus.

Both of these ideas are still information for me.

 

Source: Digital Options for History 319: The Rise of Modern America

A Digital Story Assignment for my US Survey Course

This is the first of two posts about teaching. Below are directions for the digital story assignment for my survey course.  The directions also describe the traditional paper  assignment.

Section assignments require students to think like a historian. Doing so demands thoughtful consideration of why the story/narrative is an important genre within history. What is it about history that lends itself to this treatment? How do we tell persuasive stories about the past? Please begin this process with a more basic question: what are the characteristics of a good story?

The course is divided into five sections and at the end of each section students will be given a question. Students are required to complete four of the five assignments. The first assignment is required of all students. Students may select which of the remaining assignments they wish to omit. Each assignment is worth 100 points. Students are required to write a traditional essay at least three full pages long and no longer than five pages (900-1500 words) for the first section assignment.

For all remaining assignments students can chose the medium in which they want to work—traditional essay or digital story—as long as they fulfill the requirement of two essays and one digital story over the course of the semester. The digital story must be five to ten minutes long. For the papers your name must be on the first page, pages must be numbered, and standard fonts and margins must be used (Times New Roman, 12 point, one inch).

All assignments require students to make an argument, support it with evidence synthesized from lecture notes, the e-text, the primary document PDFs, and the discussion board activities. The two most important components to master for these assignments are the argument and the primary source evidence. No additional research is required or necessary to produce excellent work on the papers, but students may augment their essays with the following electronic newspaper sources available from our library: ProQuest Historical Newspapers. No other outside sources may be used without the expressed, written permission of the TA or the instructor. Wikipedia is not allowed. You are welcome to discuss your answers with your classmates, but you must submit an original work of your own scholarship.

The digital story requires analytical thinking and explication of evidence but the presentation format is different, oral and visual not written. Students should remember that visuals, sound, and tone can have an important rhetorical effect if deployed well. Students may use iMovie or Audacity or any other equivalent video-editing program; students may also simply narrate a PowerPoint if their video making skills are rudimentary. Students must narrate their digital stories and must include an argument and evidence to support the argument, the bulk of which should come from the primary documents in the assigned PDFs but approximately a quarter from original research. This assignment, like all others, requires thought and preparation. The images need to be selected with great care and they need to relate to the narrative and analysis contained in the digital story. Please note: digital story telling is not sitting and reading a script while looking at the computer camera. In addition to images, students may use music as long as it is in the public domain. Students will need to engage in some rudimentary library research to find the information they need. For the digital story students may find images at one of several approved internet sites where the images are available in the public domain: the UH Digital History site; the Library of Congress Prints and Photographs site; the National Archives site; various sites in the Creative Commons (meaning there are no copyright restrictions on usage), including the Morgue File, Wylio, WorldImages, and Google Advanced Image Search (To use the usage rights filter option, select “advanced image search” on the main Google Images page. Once in the “advanced image search” page, you will find the usage rights options at the bottom of the page. In the usage rights menu you can select one of four options; “labeled for reuse,” “labeled for commercial reuse,” “labeled for reuse with modification,” or “labeled for commercial reuse with modification.”). You may also use any other site that the professor or the TA approves. The digital story must include source attributions (listed on the last frame). The digital story assignment will be graded according to the traditional A, B, C, D, F scale defined below and not according to video editing skill, though as with a paper particularly sloppy work will not help the grade.

To do well on these assignments—paper and digital story—students must plan their work. For papers outlines are recommended as an initial step before writing. For digital stories the concept of the outline is transferred to a storyboard whereby students not only outline their content but also the visuals that will be used to demonstrate the pertinent points.

Digital stories must be loaded on YouTube (you can create a channel for the purposes of this class) with the link sent to the TA and me. Papers must be submitted to the Turnitin.com link on the course Blackboard page. We will check for originality, and students who submit plagiarized work will face serious academic consequences.

Late assignments will be penalized. For each day a section assignment is late its maximum grade will be reduced as follows: A- is the maximum for a paper one day late, B+ for a paper two days late, B for a paper three days late, and so on including weekends.

Source: A Digital Story Assignment for my US Survey Course

a simple visual literacy assignment

Nancy Beck Young and I had an interesting conversation about using the digital to teach primary source analysis in a gen-ed, survey course (mine is 1877-present) context.  Part of the challenge in courses like these is usually that students are non-majors, and likely don’t have very much primary source experience. My goals are to teach them critical analysis–especially, visual literacy–, and also how to put together evidence to form an argument. I was thinking about creating a visual source annotation assignment with a platform like ThingLink, and Nancy’s experience with digital stories (iMovie or Prezi, or even PowerPoint) has made me think that this might be a good way to teach students to do the work of assembling and using evidence.

I think these would be fairly simple assignments, and could be done without very much tech training.

Visual Literacy (5 per semester): choose, from this week’s course materials, one image, and annotate this using ThingLink. Your annotations must attend to background, context, and close analysis. You must have at least ten separate annotations, of these, no more than three can be links to other digital sources (be careful that this source is reputable-this might have to be another handout, or a “transferrable skill”). The others must include your own original analysis (at least a paragraph for each), which you can supplement with additional links, as necessary and appropriate. Be prepared to informally present your ThingLink project in class (about 5 minutes). It will also be posted on our course management site.

“Visual literacy” is one of the learning objectives for this gen-ed course, which I think this assignment would help to satisfy.

Source: a simple visual literacy assignment

Digital Discussion Assignment

Digital Discussion Assignment

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In my online survey course students will engage in weekly discussions about the primary documents I have assigned.  For studying the New Deal I plan to give them a word cloud of FDR’s first inaugural address and ask them to compare and contrast the concepts highlighted in the word cloud with what they think they know about this iconic speech.

Here is the word cloud and a link to the speech <http://historymatters.gmu.edu/d/5057/>:

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Source: Digital Discussion Assignment

Revision of America in the Sixties Course with Digital Assignment

Below is a revision of my “America in the Sixties” course which I will teach in the spring of 2014. (Lucky for me I’m on sabbatical in the fall). In order to add this assignment, I had to give up a “role playing” game. For more on these role playing games see: Reacting to the Past. Though I’m willing to give up this game for this course, I strongly encourage members of the digital history community to familiarize themselves with this innovative student-centered learning technique pioneered by Mark Carnes of Barnard College.

Course Outcomes: (Derived for common Departmental and AHA-tuning-in project standards)
1. Knowledge of era: Students will use course materials to make connections between past and present issues.
2. Thinking skills: Students will demonstrate analytical and critical thinking skills necessary for interpreting and using sources as basis for thesis/argument.
3. Academic/Professional Standards (Writing): Students will be able to write competently, including using correct mechanics and style appropriate for audience.
4. Academic/Professional Standards (Oral/Visual/[Digital]Presentation): Students will present work with professional appearance and demeanor.

Readings:
1) Peter B. Levy, ed., America in the Sixties—Right, Left, and Center: A Documentary History (Praeger, 1998).
2) David Maraniss, They Marched Into Sunlight: War and Peace, Vietnam and America, October 1967 (Simon & Schuster, 2003)
3) Assorted scholarly readings available via jstor or posted online.

Requirements:
1) Two papers (27.5% of grade.) (See attached)
2) Class assignments and participation (25% of grade)

3) One group “digital” assignment (25% of grade) (4-5 students per group)

A. Goals of Assignment: The object/goals of this assignment are threefold:
1. To enhance student research skills and critical thinking skills.
2. To enhance student understanding of the time period.
3. To enhance student skills and comfort in using digital technologies
B. To fulfill this requirement student can chose one of two options.
1. Compose and post a blog, using Word Press, on a topic of your choice. For a sample of a blog see: http://etiquette.umwblogs.org/. Please note that this blog, much like a formal paper, contains an argument, supported by evidence drawn from primary and secondary sources, and references in Chicago Manual of Style format. The blog post is roughly 10-12 pages long, includes visual media and its creators have considered its design as well as its content. (Further clarification on the assessment of the blog will be posted.)
2. Produce a video documentary and post on You Tube (preferably a private channel) on a topic of your choice. The video should focus on a theme examined in the course applied to the local level (York College, the York community, or your home community), such as the rise of the counterculture in York or the sexual revolution and York College. It must make use of primary sources and students should consider making use of sources available at the Special Collections Department at York College and/or the York Historical Society. (Further clarification on the assessment of the production will be posted.) Your video production should include audio—music and/or narration and must include references to source material. The documentaries will be apx. 10-15 minutes long.
3. Alternatively, students can produce a radio program following the same rules for the video documentary. For a good example of a radio documentary, listen to one of the segments on “Will the Circle Be Unbroken: An Audio Documentary of the Civil Rights Movement.”

[Such an assignment aligns with both my program’s (major’s) Academic/Professional Standards outcome and with the College Mission statement which calls for “thoughtful application of relevant technology.”]

Please be well-advised that you will not be able to successfully complete this assignment if you put it off to the end of the semester. Time will be set aside for in-class work on it but student groups are expected to meet regularly out of class. Specific deadlines for the two projects, including selecting the topic, identifying key sources, and developing a draft for peer review, will be distributed next week.

 

Source: Revision of America in the Sixties Course with Digital Assignment

Sketching Digital Projects for Undergraduate Teaching

Today at Doing DH, we’re talking about using digital projects in undergraduate teaching, led by Jeff McClurken of the University of Mary Washington.  Jeff asked us to sketch and workshop some project ideas.  Here is what I came up with, based on some conversations I and several colleagues have had this summer with a community group in our region.  It’s still a bit vague.

Working Title:

Haywood Co. African American Archive

Introduction:

This summer, a community group contacted me and several of my colleagues regarding a project involving African American history in western North Carolina. The leaders of this group have been recording oral histories and gathering textual materials and images documenting the black community in Haywood County, NC, and they have asked for help in organizing and presenting this material. The African American presence in southern Appalachia is often overlooked in both academic sources and by the regional heritage industry, so this project offers an opportunity to address a neglected aspect of the history of the southern highlands. I would like to create a course project that would result in the digital presentation of a portion of this material.

Digital course or “digitally inflected?”

Digitally inflected. This project would form a research component of an upper-level undergraduate course on either modern US history or Appalachian history. Upper-level courses are capped at around 35 students, and our courses are generally full.

Individual or group-based?

This project would be group-based. Different groups would work with different kinds of materials or with different small parts of this community archive. I should explain that we are currently talking with the local group about the scope and contents of their collections, so the details are still a bit vague.

At the moment, I envision two stages. In the first stage, students would work with members of the community group to identify which materials should be made publicly available and then prepare those materials – by transcribing oral interviews, for instance. In the second stage, student groups would present and interpret selected materials.

The goal would be to produce the beginnings of an online archive of these materials, plus brief interpretive essays or multi-media presentations. My hope is that this could be a multi-stage project spanning several semesters, with different classes working with small discrete sections of the community archive.

My university has an existing Appalachian digital heritage project, one that has not been terribly active in recent years, but that includes blogs, textual materials, and audio and video files. My hope is that this African American history archive could become a part of that existing project, making use of the digital architecture already in place.

Partnerships:

• Local history group, Pigeon Community Center (Waynesville, NC)
• Digital Heritage, WCU Mountain Heritage Center

Goals:

• Students would work with community members to define the goals of the project, select, and organize archival materials for public presentation.
• Students would analyze and interpret heretofore unexamined primary sources tied to local history.

Justification:

This project would represent “community engagement,” which my department and the university administrators will like.  It would also represent an authentic research experience with a public expression.

Source: Sketching Digital Projects for Undergraduate Teaching